February 22, 2025

Boxwood carving

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According to legend, the boxwood carving was invented by a young cow named Ye Chengrong in the late Qing Dynasty. Ye Chengrong is a native of Yueqing County, Zhejiang Province. One day, he played in a temple in the village and saw an old man in the temple is shaping a Buddha statue. He was attracted by the skills of the old man. He simply ran out of the temple, squatting on the tree, dug a very sticky mud, sitting at the temple, secretly learning to pile up. The old man is a well-known folk artist in the local area. When he saw that Ye Chengrong was smart and eager to learn, he was accepted as an apprentice and taught him five skills: round plastic, clay sculpture, color, gold and relief. He made rapid progress, and after one year, he mastered this skill. One day, Ye Chengrong saw a statue of Buddha in Zixia Mountain in Baotai Mountain, Yueqing County. The Guanzhong people folded a boxwood, and asked him to use a boxwood carving to make a wish.

In the process of carving, Ye Chengrong found that the boxwood wood is tough, the texture is fine, and the color luster is not as good as other wood. It is a good material for carving. Since then, he has been carving works with boxwood. In this way, the boxwood carvings in the folk art gardens of our country were born. Ye Chengrong's boxwood carvings use sharp-pointed carving knives, and the engraved figures are pleated and studded, which looks a bit stiff. At the end of the Qing Dynasty, a folk artist named Zhu Ziqi in Wenzhou switched to a semi-circular knife-carved pleat called "reverse mouth", which looked smooth and beautiful. In 1972, Premier Zhou Enlai presented the "Red Silk Dance" created by Wenzhou Huangyang woodcarving artist Ye Runzhou as a gift to the Canadian delegation to China. Today, boxwood carvings have become famous both at home and abroad.

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